Ciencia y Educación
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Vol. 7 No. 2
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GENERATION OF SCREENAGERS AND EDUCATION: POSSIBILITIES, IMPACTS AND
CHALLENGES FOR THE CONTEMPORARY SCHOOL
GENERACIÓN DE SCREENAGERS Y EDUCACIÓN: POSIBILIDADES, IMPACTOS Y
DESAFÍOS PARA LA ESCUELA CONTEMPORÁNEA
Autores: ¹Byron Carlos Reasco Garzón, ²Daniel Fabricio Contreras Moscol, ³Jeanelly Cecilia
Aguilar Parra y
4
Rosa Marianella Contreras Jordán.
¹ORCID ID: https://orcid.org/0000-0001-9899-0900
²ORCID ID: https://orcid.org/0000-0002-5101-1039
²ORCID ID: https://orcid.org/0000-0002-3964-6488
4
ORCID ID: https://orcid.org/0000-0002-7491-664X
¹E-mail de contacto: breasco@utb.edu.ec
²E-mail de contacto: ddanielcontrerasm@utb.edu.ec
³E-mail de contacto: jaguilarp@utb.edu.ec
4
E-mail de contacto: rcontreras@utb.edu.ec
Afiliación:
1*2*3*4*
Universidad Técnica de Babahoyo, (Ecuador).
Artículo recibido: 29 de Enero del 2026
Artículo revisado: 30 de Enero del 2026
Artículo aprobado: 4 de Febrero del 2026
¹Licenciado en la Ciencia de la Educación mención en Idiomas (Inglés-Francés) de la Universidad Técnica de Babahoyo, (Ecuador).
Maestría en Enseñanza de Inglés como Lengua Extranjera (Educación) de la Universidad Tecnológica Empresarial de Guayaquil,
(Ecuador). Máster Universitario en Educación Inclusiva e Intercultural de la Universidad Internacional de La Rioja, (España).
²Docente de la Universidad Técnica de Babahoyo, (Ecuador).
³Máster en Pedagogía de los Idiomas Nacionales y Extranjeros Mención en Enseñanza de Inglés graduada de la Universidad Casa Grande,
(Ecuador). Máster en Administración de Empresas (MBA) graduada de la Universidad Tecnológica Ecotec, (Ecuador). Docente de la
Universidad Técnica de Babahoyo, (Ecuador).
4
Docente de la Universidad Técnica de Babahoyo, (Ecuador).
Resumen
El auge de los screenagers, jóvenes cuya
socialización, ocio y aprendizaje ocurren ante
pantallas, tensiona los ritmos, lenguajes y
mediaciones de la escuela, generando
oportunidades creativas y riesgos de atención
fragmentada y desinformación. El objetivo fue
analizar la relación entre screenagers y
educación, identificando posibilidades e
impactos, el recorrido escolar digital y los
desafíos para docentes e instituciones. Se
empleó una revisión narrativa focalizada en
tres fuentes ancla (consumo audiovisual
juvenil, marco sociocultural y crítica al mito
del “nativo digital”), organizando la evidencia
en matrices de bitos, competencias y
mediaciones. Los resultados muestran
desplazamiento hacia microcontenidos y
plataformas, heterogeneidad de competencias
(dominio instrumental vs. alfabetización
crítica) y brechas asociadas a capital cultural y
políticas escolares. Se concluye que no basta
“usar tecnología”: es necesario diseñar
mediaciones pedagógicas que integren
producción multimodal con estándares
académicos, alfabetización informacional y de
datos, y evaluación formativa, acompañadas de
desarrollo profesional docente y marcos éticos
de ciudadanía digital.
Palabras clave: Screenagers, Educación,
Competencias digitales, Alfabetización
mediática e informacional, Producción
multimodal, Economía de la atención,
Diseño instruccional.
Abstract
The rise of screenagers, youth whose
socialization, leisure, and learning unfold
through screens, has strained schools’ tempos,
languages, and mediations, creating both
creative opportunities and risks such as
fragmented attention and misinformation. This
study aimed to analyze the relationship between
screenagers and education, identifying
possibilities and impacts, the digital school
trajectory, and challenges for teachers and
institutions. A focused narrative review was
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Febrero del 2026
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conducted using three anchor sources (youth
audiovisual consumption, a sociocultural
framework, and a critique of the “digital native”
myth), organizing evidence into matrices of
habits, competencies, and mediations. Findings
show a shift toward micro-content and
platforms, heterogeneous competencies
(instrumental fluency vs. critical literacy), and
gaps associated with cultural capital and school
policies. We conclude that merely “using
technology” is insufficient: pedagogy must
design mediations that integrate multimodal
production with academic standards,
information and data literacy, and formative
assessment, supported by teacher professional
development and ethical frameworks for digital
citizenship.
Keywords: Screeners, Education, Digital
competencies, Media and Information
Literacy, Multimodal production, Attention
economy, Instructional design.
Sumário
A ascensão dos "screenagers" jovens cuja
socialização, lazer e aprendizado ocorrem em
frente a telas está tensionando os ritmos, as
linguagens e as mediações das escolas, gerando
oportunidades criativas e riscos de atenção
fragmentada e desinformação. O objetivo foi
analisar a relação entre os screenagers e a
educação, identificando possibilidades e
impactos, a trajetória da aprendizagem digital e
os desafios para professores e instituições. Foi
utilizada uma revisão narrativa focada em três
fontes principais (consumo audiovisual por
jovens, contexto sociocultural e uma crítica ao
mito do "nativo digital"), organizando as
evidências em matrizes de hábitos, habilidades
e mediações. Os resultados mostram uma
mudança em direção a microconteúdos e
plataformas, heterogeneidade de habilidades
(domínio instrumental versus letramento
crítico) e lacunas associadas ao capital cultural
e às políticas escolares. O estudo conclui que
simplesmente "usar a tecnologia" é
insuficiente: é necessário desenvolver
abordagens pedagógicas que integrem a
produção multimodal com padrões
acadêmicos, letramento informacional e de
dados e avaliação formativa, acompanhadas de
formação continuada para professores e marcos
éticos para a cidadania digital.
Palavras-chave: Geração digital, Educação,
Habilidades digitais, Alfabetização midiática
e informacional, Produção multimodal,
Economia da atenção, Design instrucional.
Introduction
Over the last two decades, the ubiquity of
screens and digital platforms has shaped a
sociotechnical ecosystem in which children and
young people build identity, sociability and
learning. The concept of screenagers describes
a cohort immersed in short-form content,
transmedia convergence and mobile
communication, characterized by fast
audiovisual consumption. Research shows a
shift from linear television to platforms and
micro-content, associated with immediacy,
algorithmic segmentation and personalization,
which alters attention rhythms and challenges
traditional school dynamics (Cortés & Fuentes,
2023). However, digital culture does not
operate uniformly. Social class, cultural capital
and platform conditions mediate competencies
and opportunities; therefore, the idea of
homogeneous “digital natives” is problematic
(Sequeiros & López, 2016). Although many
young people easily use devices, gaps remain in
information literacy, privacy awareness, critical
reading of algorithms and multimodal academic
production. Instrumental mastery does not
equal digital academic competence, meaning
schools cannot rely on spontaneous network
socialization and must implement deliberate
pedagogical mediation (Acosta, 2022).
This article analyzes the relationship between
screenagers and education by examining their
digital trajectories, identifying challenges for
teachers and schools, and proposing
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pedagogical strategies grounded in evidence.
Based on a narrative review drawing on
empirical and theoretical studies, the objective
is to understand educational impacts and define
mediations that connect digital practices with
academic learning (Cortés et al., 2023;
Sequeiros et al., 2016; Acosta, 2022).
Materials and Methods
A focused narrative review was selected due to
its suitability for analyzing complex and
multidimensional phenomena such as youth
media practices and their relationship with
education. This approach integrates
heterogeneous evidence; empirical studies,
theoretical essays and research Works, through
interpretive and critical synthesis, unlike
systematic reviews that prioritize exhaustive
and replicable procedures (Snyder, 2019; Grant
& Booth, 2009; Ferrari, 2015). It is particularly
appropriate when studying evolving cultural
categories such as screenagers or digital
natives. The study aims not to exhaust all
literature but to construct a coherent interpretive
framework combining empirical evidence,
theoretical reflection and educational analysis.
Although not systematic, some transparency
criteria from PRISMA-ScR were considered to
ensure clarity of objectives, selection criteria
and synthesis description (Tricco et al., 2018).
From a hermeneutic-interpretative perspective,
knowledge emerges from dialogue between
sources and context, recognizing that digital
technologies are socially situated practices
shaping identities and learning (Boell & Cecez,
2014; Selwyn, 2016; Buckingham, 2008).
Inclusion criteria required thematic relevance to
youth media practices, diversity of approaches
and academic accessibility (indexed or open
access). Searches were conducted in Google
Scholar, Scopus, Dialnet and institutional
repositories using Spanish and English
keywords such as “digital youth,”
“screenagers,” and “digital skills.” Publications
from 20152023 were prioritized, along with
key theoretical works (Prensky, 2001;
Buckingham, 2008), ensuring conceptual
relevance and academic rigor while avoiding
generational essentialism (Sequeiros Bruna et
al., 2016). Among the selected anchor sources,
the following were established:
Empirical study in communication.
Cortés Quesada, Barceló Ugarte and
Fuentes Cortina (2023) analyzed the
audiovisual consumption of Millennials
and Generation Z through a survey (n =
642), highlighting the preference for short
content ("snackables") and the shift
towards digital platforms. This study
provides recent quantitative evidence on
juvenile media habits.
Theoretical framework in digital culture.
Sequeiros Bruna, Puente and López
Jiménez (2016) propose to understand the
relationship between youth-culture-ICT as
a prism, avoiding generational
reductionisms. His contribution is key to
challenging the homogeneous idea of
"digital natives."
Research paper on digital skills.
Acosta (2022) problematizes the myth of
"digital natives" and documents gaps in
informational and critical competences.
This work allows to articulate media
consumption with digital literacy.
Extraction and synthesis procedure.
The Matrix Method was used (Garrard,
2020), constructing extraction matrices that
included: Author and year, type of study,
population or corpus, key findings,
educational implications, in addition,
thematic matrices were developed
organized into six analytical axes defined
in the protocol: Relación con el universo
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educativo, recorrido escolar digital,
posibilidades pedagógicas, impactos
socioculturales, desafíos docentes,
reflexión crítica interdisciplinaria.
This procedure is also based on the qualitative
analysis techniques proposed by Miles et al.
(2014), who highlight the utility of matrices and
visualizations to strengthen inferential validity.
The synthesis was carried out through an
iterative process of comparative reading and
thematic coding. Following Boell and Cecez
(2014), the revision was understood as a
dynamic process of meaning construction, not
as a simple aggregation of results. Quality
considerations and control of bias to mitigate
selection and confirmation bias, the following
strategies were adopted; triangulation of
approaches (empirical, theoretical and
competency), prioritization of indexed or
institutional sources, transparent explanation of
the procedure, contrasting findings with
additional critical literature (Selwyn, 2016;
Buckingham, 2008). It is recognized that
educational inference derived from media
consumption studies is indirect and requires
triangulation with complementary pedagogical
research (Grant & Booth, 2009). Likewise, the
narrative revision is not intended to establish
statistical generalizations, but rather to provide
an informed interpretation. Among the main
limitations are recognized; systematic non-
exhaustiveness, possible interpretive bias
inherent in qualitative análisis; reliance on
sources available in open access; however,
these limitations are consistent with the
exploratory and interpretative nature of the
study (Snyder, 2019).
Results and Discussion
Table 1 summarizes the main findings of the
review regarding the screenager generation and
its relationship with the educational universe.
The table organizes, by analytical axes, media
practices, their possibilities and pedagogical
impacts, and challenges for teachers and
institutions, linking them to the selected
empirical and theoretical sources:
Table 1. Results
Axis
Key findings
Educational implications
References
1. Segregation and
educational use
Audiovisual use oriented toward the educational sphere; possibilities of
ubiquitous access, informal and personalized learning, increased content
creation and circulation of memes, podcasts and communities of practice;
expansion from linear TV to platforms; fragmented and asynchronous
consumption.
Possibilities: ubiquitous access, informal and personalized learning, creative remix (short videos, memes,
podcasts), communities of practice, expansion of multimedia content, authentic tasks connected to the
curriculum. Critical impacts/intersections: fragmented attention, misinformation and echo chambers; need
for media literacy and critical evaluation criteria; sustained elaboration requires pedagogical mediation.
Cortés Quesada
(2023); Bartolomé,
Llorente & Fuentes
(2021)
1a. Socio-cultural
perspective
Effects are not universal; inequalities (cultural capital), family support and
school conditions mediate them; the link with school knowledge depends
on institutional strategies.
Avoid essentialism; design contextualized policies and pedagogies; invest in resources, teacher training
and guidance; promote hybrid trajectories (face-to-face + digital) and collaborative online learning.
Sequiros Bruna &
López Jiménez
(2016)
2. Digital generation and
school trajectory
Gaps persist: source evaluation, privacy, authorship and instrumental
mastery ≠ academic digital competence.
Authorship and evaluation: guide multimodal production with citation and quality standards; integrate
information literacy and digital ethics; strengthen academic writing.
Acosta Silva (2022);
Cortés Quesada et al.
(2023)
3a. Challenges:
preference for micro-
format choreographies
Attention and deep cognitive elaboration load are affected.
Alternate short capsules with elaboration activities (critical summaries, argumentative maps, journals);
second-order questions; harmonize media rhythm with academic rigor.
Cortés Quesada et al.
(2023)
3b. Challenges: limited
comprehension
Media literacy and verification; confusion between “ICT use” and critical
thinking.
Institutional media literacy pathways; source evaluation and transversal digital ethics.
Bruna et al. (2016);
Acosta Silva (2022)
3c. Challenges:
multimodal production
with academic standards
Consumption > authorship; weaknesses in traceability and licensing.
Promote responsible authorship: bibliographies, podcasts with technical sheets, infographics with sources;
rubrics evaluating form, accessibility and ethics.
Acosta Silva (2022)
3d. Challenges: teacher
development and
institutional culture
Changes depend on infrastructure, leadership and training time.
Develop teaching capacities; institutional repositories; clear digital coexistence policies; data protection.
Sequiros Bruna et al.
(2016)
4. Possibilities and
curricular-didactic
impacts
Integrate transversal modules of information and data literacy; projects with
audiovisual narrative; learning analytics and feedback services.
Align youth languages with academic rigor; design high-level cognitive tasks; critical reading; responsible
use of analytics for timely feedback.
Cortés Quesada et al.
(2023); Acosta Silva
(2022)
Source: Own elaboration
In practice, the main challenge with screenagers
is transforming consumption habits into study
and creative practices. Didactic planning should
alternate short high-activation segments with
elaboration activities such as guided writing,
Socratic discussion and extensive readings
structured by key questions, making the
curriculum sustainable without simplifying it
(Cortés et al., 2023). Audiovisual production
must be evaluated as academic work through
multimodal criteria including argument
structure, evidence, source traceability,
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licensing and accessibility, while maintaining
rigorous citation (Acosta, 2022). At the same
time, digital ethics education should address
data management, care practices and public
authorship to develop informed student agency
(Sequeiros et al., 2016; Acosta, 2022).
Evidence shows a massive shift toward
streaming and micro-content: it encourages
creativity and informal learning but pressures
deep reading and cognitive processing,
supporting microlearning combined with high-
level conceptual tasks (Cortés et al., 2023). The
digital culture perspective questions the idea of
homogeneous “digital natives” and highlights
inequalities and mediations shaping technology
use (Sequeiros et al., 2016). Research also
indicates that academic digital competence does
not arise automatically from exposure to
screens; without information literacy and
authorship training, schools risk confusing
technical fluency with epistemic rigor (Acosta,
2022). From this derive educational actions:
integrate information and data literacy across
the curriculum, promote multimodal production
with clear citations, use microcontent to trigger
analytical tasks, prioritize formative feedback
supported by analytics, and strengthen teacher
development alongside coexistence and data
protection policies. Future research should
include experimental and longitudinal studies
and evaluate concrete pedagogical interventions
in screenager contexts.
Conclusions
Screenagers do not constitute a homogeneous
generation of digital experts, nor can they be
understood from the simplistic label of "digital
natives" alone. Rather, they are socialized
subjects in intensive medical-technology
environments, whose daily experience is
crossed by platforms, algorithms and dynamics
of accelerated information consumption. This
condition does not necessarily imply critical
mastery or advanced skills; on the contrary, it
shows a tension between instrumental
familiarity and cognitive depth. Expanded
access to content, networks, and production
tools opens up unprecedented opportunities for
expression, participation, and community
building, but also exposes structural risks such
as cognitive fragmentation, information
overload, the misinformation and
commodification of personal data. In this
scenario, the school cannot simply incorporate
devices or platforms as a gesture of superficial
modernization. Mere technological presence
does not guarantee pedagogical innovation or
the development of critical thinking. The
educational response requires a deeper
transformation: designing didactic mediations
that articulate youth languages - audiovisual,
multimodal, interactive - with rigorous
epistemic standards. This implies explicitly
curricular the information, media and data
literacy, integrating it transversely in the
different areas of knowledge. To evaluate
multimodal production with the same
conceptual and argumentative requirement as
traditional writing involves recognizing that
knowledge can be expressed in multiple
formats, provided that it maintains coherence,
substantiation, and academic ethics. Likewise,
school culture must assume that digital
transformation is not only a student challenge,
but also an academic and institutional one. It is
essential to provide systematic time and space
for professional teacher learning, strengthening
pedagogical, technological and ethical skills.
Continuing education should not focus
exclusively on the instrumental use of tools, but
on a critical understanding of digital
environments, their algorithmic logics and their
socio-political implications. Likewise,
educational institutions need clear regulatory
frameworks on data protection, privacy, and
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responsible digital citizenship, ensuring safe
environments for students and teachers.
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Esta obra está bajo una licencia de
Creative Commons Reconocimiento-No Comercial
4.0 Internacional. Copyright © Byron Carlos
Reasco Garzón, Daniel Fabricio Contreras Moscol,
Jeanelly Cecilia Aguilar Parra y Rosa Marianella
Contreras Jordán.